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On the 31st of August 1928 things get messy in the Theater am Schiffbauerdamm (today: BE). The actors quarreled with their roles, shortly before the evening premiere of “The Threepenny Opera” Lemonade had written to Bertolt Brecht (Lars Eidinger) over night by Kurt Weill (Robert Stadlober) set “Moritat von Mackie Messer” and the staging preceded. No one suspects that both song and piece would become world hits.

But when the curtain falls, the audience rages with enthusiasm. Soon, the fabric should be filmed – but the young Brecht holds nothing of the usual cinema. He has his very own ideas of a Distances “three-pronged film” and beats with the producers. See you again in court, in terms of money against genius.

Director Joachim A. Lang is a great Brecht worshiper, he has already written his dissertation on the trial and was director of the Augsburg Brecht days. His starred film interweaves the actual course of the dispute with the artificial and fictitious world of the play. Cleverly irritating, the figures overlap with real people, scenes from Insect the conflict between the gangster Macheath (Tobias Moretti) and Peachum (Joachim Król), the head of the beggar mafia, seamlessly meet biographical and documentary motifs. Everything that says wonderful Lars Eidinger here as Brecht, are actual Brecht quotes.

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