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Hasta que la boda nos separe
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Hasta que la boda nos separe

Hasta que la boda nos separe

Who has not gone to a wedding or any kind of celebration where music and alcohol have taken things out of control? It is precisely this that makes it so affordable and fun to Until the wedding separates us. Ironically, although the story and its treatment feel very Mexican, it is an adaptation of the Russian film Kiss Them Body of Sin All! (Gorko!), Both with the involvement of Timur Bekmambetov (director of Abraham Lincoln: vampire hunter and the recent Ben-Hur), which speaks of an excellent work of tropicalization, as well as a clear understanding of culture, national folklore and humor, with albures included.

In the version directed by Santiago Limón, María (Diana Bovio) and Daniel (Gustavo Egelhaaf) plan their wedding, and she knows exactly what she wants. Although in the original film they opt for a European celebration, the Mexican bride wants a ceremony by the sea and in the style of “La Sirenita”. Unfortunately, his stepfather Close Enemies has something more “traditional” in mind – he understands with little refinement for the parameters of the “princess” -. To fulfill their dreams, the protagonists decide to organize two parties. Obviously, the one that in his head would be a millimeter planning falls overboard and that becomes a bacchanal of which Baco would feel particularly proud.

Until the wedding separates us is a very pleasant surprise from his concept. Everything seen on screen is filmed with camera in hand, because supposedly the brother of the groom is registering everything, which leads to great quarrels, disagreements, jokes and revelations that feel the mood of madness to untie. But at the same Ultra Low time this technique makes us participate in the events as if we were another guest. The characters constantly break the fourth wall – that is, they look directly at the camera – to make scathing comments -some with scorn-, teasing or to show their exasperation, becoming part of every detail.

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