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Il Tuttofare
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Il Tuttofare

Antonio Bonocore (Guglielmo Poggi), a lawyer, dreams of getting a contract in the prestigious studio of Salvatore Bellastella (Sergio Castellitto), Prince of the Court of War Machine Rome, owned by his wife Titti (Elena Sofia Ricci). The Tuttofare, the title already applies as a premise, investigates in a comedy tone the pressures, blackmail, humiliations to be endured to chase an ambition and through the character of Antonio expands the discomfort of entire generations, instead of dealing exclusively with a circumscribed context they are forced to navigate, to accommodate the desires of employers, among a whole series of tasks that are far from their duties. The precariousness, the professional insecurity, the widespread crisis are topics of such sad actuality that allow Valerio Attanasio to effectively reconstruct the picture with a simple fictionalized synthesis of reality, in a mixture of autobiographical memories and elementary perception of problems.

The attempt to make social satire finds literary inspiration in the Lazarillo de Tormes, the first picaresque novel by an unknown author who narrates in first person, renouncing to express judgments, even The Leisure Seeker if influenced by a marked Erasmian influence, of the events of a young vagabond willing to use lawful and illicit means to survive in 16th century Spain, devastated by a serious economic crisis. The character of the lawyer Bellastella instead touches the heavy legacy of some of the typical characters of Italian Commedia, borrowed from authors such as Dino Risi, Luigi Zampa or even the Pietro Germi of Ladies and Gentlemen, from which individual characteristics were taken from then convey in a single figure of a shrewd man authorized by wealth to abandon himself unpunished to every kind of wickedness.

The noble references to a past, and glorious cinema, help the director, to his first feature film after a brilliant scriptwriter’s path for Paolo Sorrentino and Sydney Sibilia among others, to try his hand at a genre, the comedy, which continues in Italy for the greater. Genre that Attanasio seems to prefer, think for example to Smetto I Feel Good when I want, which was the author of the subject and screenplay, and that earned the film a good 12 nominations to the David. In this passage behind the camera the director also drags on consolidated ideas such as the theme of the world in formation, of which he himself is part of the registry, which revolves around the university circuit and the neighboring and imminent entrance into a reality used to compromise and competition. A reading evidently considered a winner and on which he decided to insist.

Duration: 96 min


IMDb: 6.5

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