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Molly’s Game
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Molly’s Game

Who? Aaron Sorkin debuts in the direction, an unexpected professional movement for a screenwriter and dramatist who had never been behind the scenes despite being the creator and executive producer of series such as’ The West Wing of the White House ‘,’ Studio 60 on the Sunset Strip ‘and’ Sports Night ‘. Jessica Chastain works for the first time under the Oscar-winning writer of ‘The social network’, although this year we saw her in a project (‘The Sloane case’) reminiscent of Sorkin’s work.

What is it? The project is an adaptation of the memories ‘Molly’s Game: From Hollywood’s Elite to Wall Street’s Billionaire Boys Club, My High-Stakes Adventure in the World of Underground Poker’. Molly Bloom (Jessica Chastain) was an enigmatic woman of 26 years who was investigated by the FBI after creating a mysterious empire of poker games involving Hollywood stars (Michael Cera makes the times in the fiction of, according to rumors, Tobey Maguire), athletes, businessmen and the Russian mafia. A prestigious lawyer (Idris Elba) is his only chance to get rid of jail.

What’s up? ‘Molly’s Game’ arrived at the Toronto Festival with great expectations. A trailer that had not made a big impact and the fact that neither Telluride nor Venice had managed to snatch the world premiere of the directorial debut of Aaron Sorkin had set off the alarms, but it was all in vain. The writer who did walk and talk at the same time a trend in American television is more than reinforced from his first behind-the-scenes experience. The adaptation to the cinema of the story of the rise and fall of such an enigmatic character as Molly Bloom is not the best or the most ingenious script written by the playwright, but the one he needed in his step to the direction. Here there is no room for the great premise of ‘Steve Jobs’ (a biopic built in three Apple presentations) or for the canonical structure of ‘Some good men’ (the film that marked a before and after in the judicial cinema). ‘Molly’s Game’ inherits its structure from ‘The social network’ (combining flashbacks with a deposition / interview with its lawyer) and shares its characteristic dialogues and its already habitual intellectual references (in this case with ‘El crucol’, by Arthur Miller) with the rest of his work.

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