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On Her Shoulders
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On Her Shoulders

“I did not want to be known as a victim of Islamic State terrorism,” says Nadia Murad, a young Yazidi winner of the Nobel Peace Prize Friday, in On her shoulders, a Loro 1 documentary that traces the path of the activist against sexual slavery. “I wish I had not told people what happened to me I would like them to know me as a first-class seamstress or an excellent athlete or an excellent student, like a make-up artist, a farmer,” she explains. evoking his truncated dreams in the film of the American Alexandria Bombach.

The documentary, awarded this year at the Sundance Festival, will be shown in US theaters starting on October 19. In the Canadian Parliament, a Friday’s Child commemoration in Germany, in the refugee camps in Greece: the director followed Murad for three months in 2016 through her long and difficult journey to bring the word of the victims of the Islamic State and of the women Yazidis subjected, like her, to forced labor and sexual slavery.

The journey took the young woman, now 25 years old, to the rostrum of the United Nations, where she is currently an ambassador for the dignity of victims of human trafficking. On her shoulders (literally on her shoulders) she certainly focuses on the struggle of the spokesperson for the Yazidis, a minority that is neither Arab nor Muslim, speaks Kurdish, Mid90s and lives mainly around the Sinjar mountains, between the city of Mosul, in northern Iraq, and the Syrian border.

But the documentary explores above all the person who is Nadia Murad, a wounded woman who is still able to smile, Eli have fun with a supermarket trolley, worry about her appearance or her hairstyle. “It was important for me to represent her as a human being, and I think she appreciated seeing herself in the film as someone who has a normal life,” Bombach told AFP recently.

The director refrained from all comments in “off” to better let Nadia and her immediate surroundings speak.

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Genre: Documentary

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